主演：房子斌,梁爱琪,苏廷石,宫景华
导演：李小平
简介：多年以前的北京城曾经流传着一个悠久而神秘的传说：1900年八国联军攻打北京时，慈禧太后在仓皇西逃前夕曾将紫禁城里的八大马车金银珠宝坚壁在宫外太监暗宅的一口古井里。日后由于战乱不断、运动不断，人们对于这个传说的的记忆逐渐淡忘。百年后一所面临拆迁的老式四合院里，一辈子梦想发财，可一烧香灶王爷就调屁股的倒霉蛋王一斗日夜为“金条烫手”的美梦所困惑，坐卧不宁。北屋王一斗家与西屋枝子妈家住对门，虽是儿女亲家，可对门成了对头，亲家成了冤家。原因是枝子妈至今攥着户口簿，不让枝子和满囤办理结婚手续，王家人将因此而丢掉一套本可到手的安置房。妹妹叶子在满囤的哀求下偷出了户口簿，可怎么也没有想到枝子却把户口簿还给了母亲。性格倔强的枝子一方面和蛮横的母亲针锋相对，另一方面却对丈夫和公婆三番五次向他妈求情做法很是不满。恰在此时，做了一辈子发财梦的王一斗突然发现了一口藏在自家房子里的古井，初探的感觉让他坚信美丽的传说就要变为现实，他就要发了。不吐不快却又不能声张的感觉差点把他憋死，他拉上儿子满囤开始了他们的秘密行动。根本不信“天上掉馅饼”的满囤一面在老爸的逼迫下黑白颠倒的下洞挖井，一面还要在枝子的逼迫的下苦练嘴皮工夫，去做保险，这使他筋疲力尽，好不痛苦。王家父子的种种反常举动引起了院里不同人物的不同反应，也引起了枝子的怀疑。郑考古向夏五爷打听历史文物疑案，夏五爷一问三不知，用鸡毛掸子把尘土掸得四处飞扬。夜里，忽然传出杀猪般的嚎叫，原来满囤在古井中摸到一团凉凉的、肉乎乎的东西。满囤的叫声惊动了四邻，枝子妈家、丽珍家和租住在丽珍家西屋的吴非屋里的灯都亮了，惟有夏五爷家里的灯依然黑着。胡同里，幽暗的灯光下，一只黑猫目不转睛地注视这着院里的一举一动。枝子妈结识了爱好京剧的郑考古，尤如遇见知音。出租车上，郑考古意欲对枝子妈表示亲昵，却被女司机屡屡搅黄，原来开车的是枝子。一桩桩不如意的家事搅得枝子心神不宁，她的出租车险些撞倒了一位迷路的老太太。看到老人神情痴呆，举止艰难，枝子不禁起了恻隐之心。她把老太太接回家中悉心照料，王一斗夫妇对此敢怒不敢言。井里挖出了“老东西”，满囤异常兴奋，对挖井积极起来。是夜，猫儿们突然在这不二不八的晚上闹起春来，搅得四邻不安，致使王一斗父子的挖井工作不得不停下来，原来是有人给猫吃了“伟哥”。王一斗把在古井里发现的珍珠耳坠儿拿给大漏勺鉴定，郑考古看到后如获至宝，他更相信自己的判断没错：古井就在这座四合院里。有人在王家的窗台上偷偷放了一堆鱼鳞，因此猫们虽然不闹春了，但却总是跑来和王一斗捣乱，闹得王一斗心神不宁。这到底是谁干的？目的又是什么？夏五爷对那位半痴半呆的老太太起了疑心。丽珍的丈夫骗她离了婚，丽珍因此割了手腕。满囤将其送进医院进行抢救，却偏偏碰到了枝子，枝子一边骂满囤，一边却为丽珍输了血。王一斗父子挖出了一箱沤烂了的的银票，糊涂的满囤妈竟然把装银票的铜皮箱拿到外面清洗，引起了夏五爷的恐慌。九库和爷爷捉迷藏，藏进铜皮箱里，差点酿成悲剧。古井带来的不仅仅是财富希望，也有不祥的预兆。夏五爷屡屡旁敲侧击，劝诫王一斗父子，满囤听得一头雾水，王一斗则置若罔闻。同事张童向枝子表示好感却不巧被满囤撞见，一向随和知足的满囤傻了眼。原本打算向枝子坦白古井秘密的他转而疯狂挖井，连王一斗见了都害怕。随着挖宝工作的进展，有意无意间发生在院子里的蹊跷事越来越多：院子里涌进了一群蛇，让住户们大惊失色；拆迁办的刘主任和韩老板闯进王家，险些让古井曝光；九库钻井了古井里，吓坏了正在挖宝的王家父子；有人拉闸断电，继续在暗中捣乱……王一斗父子被折磨得死去活来。。大漏勺用金缕玉盖骗了韩老板，夏五爷被气得进了医院。韩老板把大漏勺送进了派出所，多亏枝子仗义援手，用自己准备买出租车的钱解救了大漏勺。最后的搬迁期限到了，王一斗为了拖延时间决心和拆迁办斗法。他头戴痰盂，手缠铁链，使出“滚刀肉”的功夫撒泼耍赖拒绝搬迁。枝子终于发现了丈夫和公公的荒唐行为，异常气愤。被欲望冲昏了头脑的满囤为了阻止枝子泄密竟然把她绑了起来……王一斗没能如愿，古井终归被郑考古发现，但令人惊讶的是，一场轰轰烈烈的考古发掘得到的却只是一只生锈的大铁钩！总指挥郑考古当场晕倒……王一斗暗自高兴大家扯平，夏五爷惊讶之余百思不得其解，暗中关注整个事件全过程的痴呆老太太悄然离去，令人们始料未及的是，这位神秘的老太太竟然留给枝子一笔巨大的财富……一年后，楼房在古井的基础上盖了起来，老住户又都迁回来了，四合院的邻居变成了楼上楼下的邻居。枝子妈为大女儿枝子补办婚礼。新郎满囤做人寿保险代理员，练就了一副铁嘴子，席间口若悬河，满嘴跑火车。作为主婚人的夏五爷，历数枝子对众人的好处，大家热泪盈眶，感慨万千。古井的传说又有了新消息，据说财宝被埋在更深一层的卧井里。这下要想挖掘就只能等到新盖的楼房再拆时了。王一斗闻讯追悔莫及，直直地倒了下去……从此他患上了脑血栓，连‘后悔呦后悔死喽’的口头禅了也说不出来了，逢人就无奈的摇头。月色下，人们经常可以看见郑考古、王一斗拉开着距离围着楼房一圈一圈地转，踩出的小道清晰可见。
主演：王心凌,张栋梁,赵小侨,蔡尚甫
导演：沈怡,丁仰国
简介：晓诗（王心凌 饰）是微笑Pasta意大利面馆的宝贝女儿，她喜欢学长阿哲（Gino 饰）不但不喜欢她，还对她下了“恋情永远不会满三个月”的魔咒。阿哲的哥哥何群（张栋梁 饰）和他关系并不好，因为喜欢音乐投身乐坛，成为今天的歌坛小天王。何群新歌发布会当天，女友Rita（赵虹乔 饰）被何哲带走，晓诗在街头看到现任男友劈腿。两人伤心地在街头偶遇，躲避狗仔队跟踪时不小心撞上晓诗而意外接吻，狗仔队见机拍下来。第二天，“小天王劈腿，街头拥吻秘密情人”的“亲吻照”上了头版新闻。经纪人为挽救危机，将计就计，宣布晓诗才是何群的女友。绯闻一闹，父亲何议长勒令何群转学，不料却转到晓诗就读的大学。这下可好，以为不会见面的绯闻男女变成同班同学，何群必须经常跟晓诗扮恩爱，还必须面对同校的阿哲和Rita。深爱Rita的何群，始终暗恋阿哲的晓诗，这复杂矛盾的情愫，该如何解开……
主演：坂泰斗,濑户麻沙美,武内骏辅,河西健吾,鬼头明里,津田健次郎
导演：未知
简介：该剧改编自《幼女战记》作者 Carlo Zen 的全新军事科幻小说。故事叙述青年伊保津明自愿加入行星轨道步兵队“YAKITORI”，希望借此扭转人生，但命运又会作何安排？
主演：史蒂夫·豪威,金格·贡萨加,Annabella,Didion,迪内·泰勒,杰克逊·赫斯特,欧文·约曼,金伯利·马图拉,奥玛·本森·米勒,达瑞·因戈尔夫松,丹妮拉·麦斯米兰,汤姆·康诺利,大卫·伦格尔,埃丽卡·赫尔南德斯,卢卡斯·杰伊,Neal,Kodinsky,迈克·奥戈曼,Joseph,Steven,Yang,弗兰科·卡斯坦,Liann,Pattison,比佛莉·德安姬罗,戴维·约瑟夫·马丁内斯
导演：安东尼·海明威
简介：施瓦辛格的代表作之一、詹姆斯·卡梅隆导演的1994年经典动作喜剧片《真实的谎言》将被拍成剧集。福斯已承诺试播集，将由《邪恶力量》《橘子郡男孩》制作人之一McG执导，《绿箭》《明日传奇》主创之一、《绿灯侠》编剧Marc Guggenheim写剧本，两人和卡梅隆等人都任执行制作人。制作方是二十世纪福斯电视。《真实的谎言》讲述一个FBI特工平日装作平常人，甚至老婆都不知道他的真实身份，然而之后一定会出事。如今的剧版选角什么的还没有消息。
主演：井桁弘恵,一之濑飒,西垣匠,特林德尔·玲奈,猪塚健太,志田こはく,三原羽衣
导演：小牧桜,佐々木資門,相羽めぐみ
简介：本作品是以内衣业界为舞台的爱情故事。容易被废柴男吸引的主人公苍井堇，在同时失去男朋友和工作的伤心之时，遇到了某内衣，一念而起。向着内衣设计师这一新的梦想迈进的堇，遇到了比自己小的“小白脸男子”竹之内宗一，并被他所吸引。电视剧将在保留原作精华的同时展开原创故事。
主演：仲野太贺,卫藤美彩,三浦透子,坂东龙汰,古馆宽治,川濑阳太,河濑直美,萩原圣人,村上淳,绪方义博
导演：中川龙太郎
简介：历（卫藤美彩 饰）是一名独自经营着一家鲷鱼烧小店的女孩，行助（仲野太贺 饰）是常常光顾这家店的生物考古助理。坚强而又美丽的历逐渐吸引了行助的注意，让他产生了想要更多的了解这个女孩的念头。随着时间的推移，历和行助之间的交往变得频繁起来，两颗孤单的心也越靠越近。就在这个节骨眼上，一场意外发生了。历在一场车祸中头部受伤，因此失去了一小段的记忆，而这段记忆，偏偏就是关于行助的。为了使历康复，行助天天陪伴在她的身旁，想尽一切办法，想要唤醒历脑海里关于自己的记忆。
主演：王敏德(Michael),张文慈(Pinky,Cheung),王合喜(Ken,Wong),任港秀(Kong,Sau,Yum),陈慧明（Wai,Ming,Chan,）
导演：梁鸿华
简介：在一次抢劫行动中，绑匪拒捕、杀人、挟持人质，警方要求飞虎队支持。由阿Mike带领的小队，成功地围捕绑匪，当阿Mike说服劫匪放下武器的时候，阿满一枪打死了劫匪头目占士，因为这些悍匪应该要死。这件事令Mike和阿满的友情受到考验，因为Mike考虑是否要指证他。而此时，阿满的妹妹阿诗突然被杀，一场报复行动开始了……
主演：卡梅隆·迪亚兹,莱斯利·曼恩,尼古拉·科斯特-瓦尔道,凯特·阿普顿,妮琪·米娜,泰勒·金尼,唐·约翰逊,大卫·桑顿
导演：尼克·卡萨维蒂
简介：卡莉（卡梅隆·迪亚茨 Cameron Diaz 饰）是一位精明强干的律师，无论对于生活还是男人，她所要求的无疑都是最好和最完美的。一次偶然中，卡莉结识了名叫马克（尼可拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）的男子，后者的英俊和潇洒立刻就吸引了卡莉的注意，没过多久，两人就坠入了爱河。为了给马克一个惊喜，卡莉瞒着他来到了他的家乡，让卡莉没有想到的是，在这里迎接她的，竟然是一个自称是马克妻子的女人凯特（莱斯利·曼恩 Leslie Mann 饰），而凯特对于卡莉的存在亦是一无所知。直到这时，卡莉才开始渐渐看清马克的真实面目，她和凯特决定联手，将其揭穿。之后，一个名为艾伯（凯特·阿普顿 Kate Upton 饰）的女人加入了她们，三个女人联合在一起，好戏即将上演。
主演：Don,'The,Dragon',Wilson,Michael,Anderson,Jr.,Roddy,Piper,Brian,Warren,Kate,Greenhouse,Dave,Nichols,Brett,Halsey,Richard,Waugh,David,Sparrow,John,Stoneham,Sr.,Anderson,Dixon,Michael,Bernardo,George,Flinter,Don,Chiaschini,Bob,Denison
导演：Damian,Lee
简介：美国建造了最雄伟的水坝，但却也因此成为恐怖份子的基地，成为震惊全国最可怕的危机，美国该如何解决这棘手的问题! 戴克与巴托受雇组成一个突击小组，以盗取价值连城的飞机晶片。在声东击西策略之下，他们先攻占库伯水坝，监禁人质，以引起全国人民的注意，然后再到附近的纳勒斯基地，盗取晶片。为了解救成为人质的父亲 ，哈普偷偷进入水坝，企图解救父亲。经过一番搏斗之后，不仅将人质救出，将晶片追回，也化解了水坝被炸的危机……
主演：周星驰,钟镇涛,张敏,元奎,尹扬明,成奎安,梁家树
导演：左颂升
简介：从小右臂就具神力的大陆青年刘晶（周星驰 饰）来港不久便接连遭遇倒霉事，先是钱包被偷，而后行李也遭人抢劫，不过也因此结识放荡不羁的潇洒（钟镇涛 饰）。刘晶四处寻找工作，却迟迟未定，甚至还卷入黑帮斗争之中。走投无路之际，刘晶和潇洒决定参加散打比赛，更阴差阳错拜入具有黑社会性质的赵东拳馆。在黑社会师傅（成奎安 饰）的带领下，二人随同前去夜袭霍家拳馆的霍环师傅，籍此机缘，刘晶得以拜入霍师傅门下。二人都对师傅的女儿嘉敏（张敏 饰）存有好感，也由此闹出不少笑话。然而门下大师兄（尹扬明 饰）嫉恨刘晶，设计陷害，致使刘晶被逐出师门。他的未来将何去何从……
主演：黄正利,元武,权永文,王将,陈楼,金军,蒋金,王憾尘,李春华,王沙
导演：罗嘉甫,罗马
简介：简介：民国时期,有日本武士向中国武术界挑衅,打败了不少武术人士,气焰日益嚣涨,同时欺压贫民,经营不法行当,时有霍家拳掌门率子弟抗争;更有第三子元甲因身体虚弱,被父勒令弃武学文,在老夫子的帮助启发下,竟无师自通,自创迷踪拳法.最后父子二人联手击毙了众多日本武士......導演：羅馬 羅嘉甫動作設計：權永文 王將 黃樹棠副導演：王英杰出品人：羅嘉甫監製：羅馬 李旭馨 羅嘉甫出品：嘉氏影業(香港)公司演員：黃正利權永文王將陳樓蔣金李春華元武王沙金軍王憾塵元菊陳嶺威和尚歐陽耀蔭梁兆華
主演：贝尔·格里尔斯
导演：未知
简介：这是一部激动人心的90分钟互动式电影，适合全家观看。野生动物保护区周围的防护栅栏已经遭到神秘破坏，现在动物们正处于失散状态。贝尔被召来帮助营救一只顽皮的狒狒，追踪一头饥肠辘辘的狮子，同时在更多动物逃跑之前修好栅栏。三个紧急任务在等着您，并且时间紧迫，贝尔需要您的帮助。由于有可能完成神秘任务，每个决定都会影响这场互动式冒险，因此让您的选择发挥上作用吧！
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：内详
导演：未知
简介：德云社德云七队小园子三里屯站演出爆笑来袭！表演节目精彩纷呈，其中包括小龙、姬霄桐表演的《拔牙》；宋昊然、于筱怀表演的《数来宝》；李九春、李霄虹表演的《快乐生活》；刘九儒、孙九香表演的《赞马诗》；马霄盛、刘鹤安表演的《学哑语》；刘筱亭、张九泰表演的《五红图》；孟鹤堂、周九良表演的《大上寿》。精彩内容不容错过。
主演：郭德纲,于谦,高峰,栾云平,岳云鹏,孙越,郭麒麟,阎鹤祥,孟鹤堂,周九良,张鹤伦,郎鹤焱
导演：未知
简介：【第一场】- 《开场门柳》郭德纲携众人- 《芳言芳语》孙九芳、马霄戎- 《怪治病》尚九熙、郭霄汉- 《陈大海挖人参》郭德纲- 《儿徒爱徒》烧饼、于谦、栾云平- 《口吐莲花》张九龄、王九龙- 《歌曲研究》孟鹤堂、周九良- 《公主来了》郭德纲、于谦- 《卖估衣》张鹤伦、郎鹤炎- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲- 《洪羊洞》郭麒麟、阎鹤祥- 《造厨》岳云鹏、孙越- 《三人行》郭德纲、于谦、高峰【第二场】- 《歌唱吧少年》谢金、李鹤东- 《杨乃武写状》张鹤伦、郎鹤炎- 《人肉铺子》郭德纲- 《德云欢乐颂》冯照洋、于谦、杨鹤通- 《黄鹤楼》孟鹤堂、周九良- 《新数来宝》烧饼、曹鹤阳- 《翻四辈》郭德纲、于谦、张九南- 《福寿全》郭麒麟、阎鹤祥- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲- 《卖吊票》岳云鹏、孙越- 《写对子》高峰、栾云平- 《戏曲与方言》郭德纲、于谦
主演：小林裕介,Lynn,福岛润,河西健吾,木村珠莉
导演：市川量也
简介：由于机械生命体的袭击，文明崩溃，星星只剩下沙漠和鬼屋了。少年诺亚为了实现帮助那些仅存的动物的梦想，当时，机械化了身体，在严酷的环境中独自生存下来，并制造方舟。在那里，觊觎从另一个世界来的方舟的天圣凯瑟德。我在诺亚寻找夺取方舟的机会，在触及诺亚的直率和温柔中，在目的和友情之间变得摇摆不定。机器生命体的真面目是什么凯瑟德的决定是——诺亚的梦想会实现吗——
主演：郭德纲,于谦,高峰,栾云平,岳云鹏,孙越,郭麒麟,阎鹤祥,孟鹤堂,周九良,张鹤伦,郎鹤焱
导演：未知
简介：【第一场】- 《开场门柳》郭德纲携众人- 《芳言芳语》孙九芳、马霄戎- 《怪治病》尚九熙、郭霄汉- 《陈大海挖人参》郭德纲- 《儿徒爱徒》烧饼、于谦、栾云平- 《口吐莲花》张九龄、王九龙- 《歌曲研究》孟鹤堂、周九良- 《公主来了》郭德纲、于谦- 《卖估衣》张鹤伦、郎鹤炎- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲- 《洪羊洞》郭麒麟、阎鹤祥- 《造厨》岳云鹏、孙越- 《三人行》郭德纲、于谦、高峰【第二场】- 《歌唱吧少年》谢金、李鹤东- 《杨乃武写状》张鹤伦、郎鹤炎- 《人肉铺子》郭德纲- 《德云欢乐颂》冯照洋、于谦、杨鹤通- 《黄鹤楼》孟鹤堂、周九良- 《新数来宝》烧饼、曹鹤阳- 《翻四辈》郭德纲、于谦、张九南- 《福寿全》郭麒麟、阎鹤祥- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲- 《卖吊票》岳云鹏、孙越- 《写对子》高峰、栾云平- 《戏曲与方言》郭德纲、于谦
主演：千本木彩花,石见舞菜香,加隈亚衣,坂田将吾,羊宫妃那,筱原侑
导演：玉木慎吾
简介：在童年时重拾前世记忆的公主艾妮丝菲亚，因为无法使用魔法而遭到贵族的鄙视。但她却建立了独特的魔法理论并一直独自研究魔法，在某个机缘巧合下，艾妮丝菲亚撞见了天才公爵千金尤菲莉亚遭到剥夺王妃候补地位的场面。为了帮助尤菲莉亚重拾名誉，艾妮丝菲亚所选择的方法竟是要对方跟她同居，一起研究魔法！？“尤菲，你愿意跟我来吗？”“只要您不嫌弃，无论是去天涯海角，我都会陪在您身边，艾妮丝殿下。”怪咖转生公主与冰山美人天才千金的邂逅，将持续为这个国家、这个世界，还有两人的未来带来变化。王宫百合奇幻物语，就此揭幕！本作改编自鴉ぴえろ的同名轻小说。
主演：置鲇龙太郎,朴璐美,樱井孝宏,岩田光央,松田贤二,水树奈奈,菊池心,田野麻美,小野坂昌也,堀内贤雄,银河万丈,森川智之,高木涉,津田健次郎,柿原彻也,菊池正美,三木真一郎,三矢雄二,石田彰,岛田敏,梅津秀行,串田晃,李弘基,崔钟训,宋承炫,李在真,崔珉焕,石丸谦二郎,真矢美纪,北大路欣也
导演：座古明史
简介：在2008年5月19日发售的第25期少年JUMP上，出现了一个令人振奋的消息。《世纪末领袖传》的作者岛袋光年最新漫画开始连载，漫画的名字预定为《トリコ》，中文翻译为《美食的俘虏》。超强的食欲，追求还没看到的美味，美食家传奇的超大型新连载是这部漫画的主题。好评如潮(由于只是小剧场版，所以只收录了捕获加拉鳄一话的内容)。TV动画已决定于2011年4月开始放送。强烈，食欲，寻求还未见过的美味食品……。曾经有人说过——有一种野兽，全身的肉全都在舌尖上溶化并浮有油脂……。有一棵树上，整年都生长着滑嫩并全是肉的大龙虾及堪察加似石蟹……。还有源源泉不断的流出——琥珀色高级芳醇的白兰帝的泉水……。人类全为他们而疯狂。
主演：鞠萍,董浩,陈怡,耿晨晨,陈苏,王淏,郏捷,何子然,黄炜,霍小雷
导演：何澄,刘可欣
简介：拥有航天梦想的大头儿子，通过一次偶然的机会与一位特别的“外星朋友”相识。大头儿子与棉花糖妹妹组队参与小小航天员计划，共同挑战四个关卡的航天任务，他们能否在比赛中获胜？“外星朋友”在关键时刻究竟是如何让落后的大头儿子队伍重拾信心？担任领航员的小头爸爸又将如何鼓励大头儿子与朋友们共同完成艰巨任务？而始终未被公开的“外星朋友”，到底来自何方？
主演：花江夏树,三森铃子,细谷佳正,田村睦心,吉田仁美,榎木淳弥,池田纯矢,市道真央,荒川美穗,坂本千夏,重松花鸟,山口真弓,樱井孝宏,山田木野子,松本美和,竹内顺子,德光由禾,森下由树子,浪川大辅,青山穰,武内骏辅,松泽千晶,千叶进步,小松郁,岩濑周平,小林直人,井上宝,滨田洋平,平田广明
导演：元永庆太郎
简介：世界的崩溃开始了。暴走的大缅因猫兽吸收了黑暗进化的迪路兽、用强大的力量进化成了秩序兽。根据世界树的想法，现实世界将被数码世界所吞噬。在绝望迫近的时候，被选中的孩子们拼命地向前。现在太一不在了，能代替他带队的只有大 和。「为了拯救世界，我们还有必须要做的事情！」加布兽的话给大和带来了活力，而亚古兽则坚信太一定会回来。另一方面，恒常性要处置失去控制的秩序兽、并尝试施行干涉现实世界的最终计划。为了阻止毁灭的到来，被选召的孩子们和他们的搭档拼命地战斗。「所有的光芒，都汇聚在了缅因猫兽…」绝望的迪路兽向大家说到。孩子们做出最后决定的时候到了。被选中的孩子们，自己将选择怎样的未来？现在，冒险将再一次进化。
主演：吉田行地,石川由依,唐泽美帆,茅原实里,结城爱良,埃文·考尔
导演：未知
简介：紫罗兰永恒花园交响音乐会2021，演奏包括TV剧集、外传与剧场版在内的音乐，两日三场公演。
主演：维多利亚·舒尔茨,简妮·席丽,拉斯·艾丁格,Urs,Jucker
导演：斯蒂娜·维仁菲尔
简介：智力残障的十八岁少女朵拉在母亲停止其精神治疗药物后仿佛从冗长的沉睡中醒来。她开始对自己的身体、感官甚至性进行探索。她的探究与渴求让父母惊讶不已，而更让他们震惊的是女儿居然和一个市集小商贩有染。怒不可遏的父母并不能阻止一切的发生。随着事情的恶化，所有人都必须开始重新审视 人与人间的关系、自我的主导、信任与妒忌……
主演：内详
导演：未知
简介：德云社德云七队小园子天桥站演出爆笑来袭！表演节目精彩纷呈，其中包括丁楷罡、渠淏表演的《买卖论》；小龙、郭霄汉表演的《哭四出》；刘九儒、孙九香表演的《卖估衣》；马霄盛、刘霄航表演的《大西厢》；刘筱亭、张九泰表演的《学评书》；孟鹤堂、周九良表演的《偷斧子》。精彩内容不容错过。
主演：笠原玲子,上田吉二郎,本乡功次郎
导演：汤浅宪明
简介：毎年夏と冬に怪獣映画を公開する東宝との直接対決を避けて春休みに公開することになった“ガメラ“シリーズ。富士火山帯の活動で出現したギャオスは、名古屋を火の海にするが、炎を好むガメラが現れ、陸・海・空を舞台に死闘が展開される。
主演：Nippon,Animation
导演：未知
简介：私立荒矶高中生徒会执行部（又被译作《男男罪游记》）是日本漫画家峰仓和也所著的漫画作品。私立荒矶高中原本本是一所男校，后来也招收女生了，不过男生的比例依旧很高。校规第5条——隶属于本校学生会的“执行部”是智力、体力、正义感俱佳的学生被赋予任务的号称。而持有这个证明“执行部简章”者，除了必须维护校园的治安外，其他人都无权干涉他们的行动。故事讲述了久保田诚人和时任稔以暴制暴，维护正义的高中生活，说实话，非常搞笑。