主演：史元庭,陈俊希,梁家仁,孔琳,李振宇,曹禹澄
导演：安然
简介：天下第一剑宗，青龙宗宗主轩辕世突发中风、瘫痪在床，他担心自己的身体会将门派致于江湖险境。而对他来说，最大的隐患就是当年与自己争夺宗主之位，内心阴暗狠毒的同门师兄弟无涯。为了宗派发展，他不得不将儿子作为诱饵，设了一个铲除异己、步步为营的圈套。世风日下，人心不古，江湖纷争不断，本是一场正邪两派之间的较量，却让两个门派的弟子殊途同归，师承名门的星河和奸恶之徒的义子长生，连相遇都是刻意为之，相识更是有备而来，相知后却各生怜惜之情。两个不同立场的人，在江湖的善恶是非里，共患难，同生死，不为功利屈膝，以除恶扬善为己任，谱写了一段快意江湖的游侠情谊。只要有江湖，就有他和他的故事……
主演：向理来,盐口量平,服部武雄,結城駿,初瀬川博人,おみのじんや,竹本泰志
导演：山内大辅
简介：悠斗和青山曾是一对恋人，而今却已断了音讯。随着青山不为人知的黑幕一一揭露 ，在地下俱乐部担任店长的悠斗，开始怀疑自己深爱的男人是否值得等待，对男公关流花的感觉也从同病相怜升华成更深的情感。一件神秘的性玩具，串起了悠斗、流花、青山和柴原四人的过往与现在。这时「雨与苏打水」某位男公关接客时一桩意外杀人事件，让地下俱乐部人心惶惶，在这个追求欲仙欲死的感官世界，真相即将大白……。
主演：迈克尔·珊农,基恩·约翰逊,约翰·胡热那克,迈克尔·卡西迪,希穆斯·德维,迈克尔·文森特·贝里,马修·梅纳洛,马克·斯佩诺,埃里克·T·埃斯帕萨,尼古拉斯·科列夫,咪咪·弗莱彻,凯西·达斯恩妮,吉奥瓦尼·瑞比西,亚历克斯·布鲁,凯利·罗查,萨西尔·扎玛塔,谢伊·惠格姆,基兰穆魏尔,亚历克斯·奈特,盖瑞·科尔,克丽斯托·梅耶斯,安尼卡·马克斯,崔维斯·汉默,伯克·弗洛伊德,玛丽·瓦根曼,乔·皮斯托内,雅各布·布朗,扎克·罗斯,埃德加·达马提安
导演：德鲁·道达尔,约翰·埃里克·道达尔
简介：恰逢1993年2月28日发生在卡梅尔山的悲剧事件30周年之际，本剧聚焦于韦科灾难的余波：对大卫教派幸存成员的审判和本土恐怖分子蒂莫西·麦克维的崛起。这部五集的限定剧还为美国民兵运动的升级提供了更广泛的背景，这为俄克拉荷马城爆炸案和1月6日美国国会大厦的袭击埋下 了伏笔。
主演：阿里拉·巴勒,克里斯汀·弗劳赛斯,卢卡斯·盖奇,福勒斯特·古德勒克,萨莎·莱恩,杰米·劳森
导演：丹尼尔·歌德哈伯
简介：A crew of young environmental activists execute a daring mission to sabotage an oil pipeline, in director Daniel Goldhaber’s taut and timely thriller that is part high-stakes heist, part radical exploration of the climate crisis. Based on the controversial book by Andreas Malm.
主演：王广源,朱丽岚,柯博伦,杨诗倩
导演：吴俊贤,季海涛
简介：丑小鸭方佳悦为了靠近自己的暗恋对象易希臻，头悬梁锥刺股地努力跟易希臻考上了同一所大学。进入大学后，她更是花样百出地展开了自己的追爱计划。只可惜方佳悦天生自带衰神体质，不管多么周密的计划，最终都会搞砸闹出无数笑话来。别人的暗恋故事清新浪漫，她的暗恋故事却让人笑到要报警。但就在此过程中，她却也意外发现了男神易希臻的一个秘密……
主演：马丁·兰道,杰夫·布里吉斯,琼·艾伦
导演：弗朗西斯·福特·科波拉
简介：1945年的美国密执安州的伊普兰蒂，著名汽车发明家普雷斯顿·塔克向犹太金融家阿贝·卡拉兹请求给予其新设计的一种汽车以资助。这种利用空气动力学原理的新型“鱼雷”牌小汽车被称为“明天的汽车”。阿贝·卡拉兹答应了塔克的请求。在获得了政府的批准后，塔克以芝加哥一家战前的旧工厂作为其实验场地。塔克和机械师昼夜奋战，他们必须在第一年生产出50辆小汽车。终于，在他们的不懈努力下，第一辆“鱼雷”牌汽车被成功地制造出来。在“鱼雷”牌小汽车投入生产时，底特律的汽车制造商嫉妒他的发明，他们发起了一场进攻——三大汽车公司授权参议员作为发言人，对塔克的公司施加压力，百般刁难、诬陷塔克，还从技术上控制了塔克的公司，终于使塔克的工厂因受审而倒闭，埋葬了塔克和他的梦想。塔克在六年后因癌症去世，底特律汽车公司接收了他的所有发明成果。
主演：查理·哈纳,Oscar,Brose,Lina,Beckmann
导演：Adolf,Winkelmann
简介：Julian is a 12-year-old boy whose family is just scraping by in the Ruhr industrial region of Germany in the early 1960s . When his mother and younger sister go away for a while, he is left mostly alone in the apartment while his father works in the coal mine. He has to confront the confusing world of adults and older boys and the older girl next door on his own. Finally events build up and threaten to tear the family apart.
主演：舟木一夫,松原智恵子
导演：鍛冶昇
简介：東大生の村瀬正吉は、小学生の家庭教師として名門依田家に招かれた。一家中がエリートの依田家では、春夫がガリ勉を強いられ意気消沈していた。正吉は、教育ママに反対し、春夫と一緒にマラソンをしたり、相撲をとったりの珍指導ぶりで一家を唖然とさせてしまった。春夫の姉久美子は明るく勇気づける野放図な正吉にいつしか心をひかれていった。そして、両親が決めた合田との縁談に悩むのだった。一方、依田の秘書をつとめ、頭はきれるが傲慢な態度むきだしの合田は、久美子の感情を素早く、キャッチし次第にあせりの色を見せはじめた。そして、クリスマスの夜、合田が久美子に箱根への一泊旅行を誘いかけ、二人の溝はますます深まった。そんな久美子をみて、母の宗子は、正吉に家庭教師に専念し、娘とは一線を画すよう要求した。その代り一流新聞社への就職を世話するとのことだった。正月が来た。正吉は、兄正一が郷土発展のために尽している長岡へ帰った。正一は、建築業のかたわら、若人の心の支えにたってほしいと“青春の鐘”を造っていた。兄のはげしい情熱にうたれた正吉は東京での就職を断念し、長岡に骨を埋める覚悟を決めた。折りしも、春夫と共にスキーに招かれていた久美子は、正吉の意見に大賛成。お目付役として同行した合田は、二人の様子をにがにがしく眺るのだった。やがて、久美子は楽しい思い出を残して帰っていった。だが、長岡での久美子の行動を合田から聞いた宗子は、強引に結納を交わしてしまった。そして、正吉は家庭教師をクビになってしまった。久美子は母の卑劣な態度に怒り、両親を説得し、婚約の解消をさせた。それから間もなく、長岡で“青春の鐘”の除幕式が行なわれた。そこには、正吉と久美子の姿があった。そして、二人の将来を祝福するかのように、鐘の音が鳴り渡っていた。
主演：艾迪,李燕燕,叶德娴,严秋华,陈安莹,胡枫,陈佩茜,袁丽嫦,陈立品,田启文,黄宗赐
导演：单慧珠
简介：小玲（李燕燕 饰）自小父母离异，母亲希望深造，因此带着她移民，落魄的父亲则带着弟弟留在香港，姐弟两个哭着分开，一别多年。长大后回到香港的小玲始终牵挂弟弟和父亲，却打听不到两个人任何讯息。恰好小玲男友杨光（艾迪 饰）在做社工，最近帮助一个名叫丁天生（严秋华 饰）的跛脚少年，在少年家里发现小玲一家四口的照片。认准天生是小玲失散的弟弟丁当，杨光想促使姐弟重逢，并且帮助丁天生重新接受教育，脱离颠簸流离的生活，但丁天生非常倔强，不肯与姐姐和母亲相认。此时丁天生的父亲已经身患肺病住在疗养院，天生去看他时，总会带着忌廉汽水与鲜奶，两人一起兑起来喝，这是从小父亲带给他的美味。父子俩的多年境遇，让天生始终无法原谅抛弃他们的母亲……
主演：宋茜,高伟光,王晓晨,黄觉
导演：刘江
简介：南飞与齐家宜两个闺蜜，一个是留学归来的整容重建医生，出身医学世家，一副撞了南墙也不回头的尖锐个性，拥有一份几近完美的爱情，男友陈放是风度翩翩的艺术策展人，成熟儒雅；一个则是大型装饰公司的室内设计师，每天都被业绩压得喘不过气，未婚夫徐西是工作稳定的经济适用男，踏实可靠，平庸无趣。迈入三十岁，两人发现面对婚姻这道考题，或许在世人常见的标准答案之外，还隐藏着一个不一样的选择。 南飞和齐家宜分别遭遇了重重的婚恋危机，她们重振旗鼓，从谈婚论嫁回归到恋爱阶段。她们在爱情和婚姻中的争夺战中并肩作战，对感情和婚姻以及自我，都有了新的认识。两人也都闯出一条更为闪亮的事业之路，更成功破除误会修复感情，一路互相支撑，亲如一家。她们和陈放、焦岳也在追求内心真正的自由和独立的过程中，在生活的两难局面之前，最终明白了责任、爱情、真实、自由，到底哪一个更重要。
主演：黄正利,元武,权永文,王将,陈楼,金军,蒋金,王憾尘,李春华,王沙
导演：罗嘉甫,罗马
简介：简介：民国时期,有日本武士向中国武术界挑衅,打败了不少武术人士,气焰日益嚣涨,同时欺压贫民,经营不法行当,时有霍家拳掌门率子弟抗争;更有第三子元甲因身体虚弱,被父勒令弃武学文,在老夫子的帮助启发下,竟无师自通,自创迷踪拳法.最后父子二人联手击毙了众多日本武士......導演：羅馬 羅嘉甫動作設計：權永文 王將 黃樹棠副導演：王英杰出品人：羅嘉甫監製：羅馬 李旭馨 羅嘉甫出品：嘉氏影業(香港)公司演員：黃正利權永文王將陳樓蔣金李春華元武王沙金軍王憾塵元菊陳嶺威和尚歐陽耀蔭梁兆華
主演：王敏德(Michael),张文慈(Pinky,Cheung),王合喜(Ken,Wong),任港秀(Kong,Sau,Yum),陈慧明（Wai,Ming,Chan,）
导演：梁鸿华
简介：在一次抢劫行动中，绑匪拒捕、杀人、挟持人质，警方要求飞虎队支持。由阿Mike带领的小队，成功地围捕绑匪，当阿Mike说服劫匪放下武器的时候，阿满一枪打死了劫匪头目占士，因为这些悍匪应该要死。这件事令Mike和阿满的友情受到考验，因为Mike考虑是否要指证他。而此时，阿满的妹妹阿诗突然被杀，一场报复行动开始了……
主演：维多利亚·舒尔茨,简妮·席丽,拉斯·艾丁格,Urs,Jucker
导演：斯蒂娜·维仁菲尔
简介：智力残障的十八岁少女朵拉在母亲停止其精神治疗药物后仿佛从冗长的沉睡中醒来。她开始对自己的身体、感官甚至性进行探索。她的探究与渴求让父母惊讶不已，而更让他们震惊的是女儿居然和一个市集小商贩有染。怒不可遏的父母并不能阻止一切的发生。随着事情的恶化，所有人都必须开始重新审视 人与人间的关系、自我的主导、信任与妒忌……
主演：吉田行地,石川由依,唐泽美帆,茅原实里,结城爱良,埃文·考尔
导演：未知
简介：紫罗兰永恒花园交响音乐会2021，演奏包括TV剧集、外传与剧场版在内的音乐，两日三场公演。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：贝尔·格里尔斯
导演：未知
简介：这是一部激动人心的90分钟互动式电影，适合全家观看。野生动物保护区周围的防护栅栏已经遭到神秘破坏，现在动物们正处于失散状态。贝尔被召来帮助营救一只顽皮的狒狒，追踪一头饥肠辘辘的狮子，同时在更多动物逃跑之前修好栅栏。三个紧急任务在等着您，并且时间紧迫，贝尔需要您的帮助。由于有可能完成神秘任务，每个决定都会影响这场互动式冒险，因此让您的选择发挥上作用吧！
主演：费奥多尔·邦达尔丘克,安娜·米哈尔科娃,Evgeniy,Tkachuk
导演：伊格尔·沃洛申
简介：The film is inspired by the record-breaking solo trip around the globe in a hot-air balloon made by the world-famous Russian explorer Fedor Konyukhov in July of 2016. Throughout his remarkable life, Konyukhov has proven time and time again that willpower, perseverance and faith can help overcome fear and doubt, and lead aperson to triumph.
主演：林永健,李强,齐芳,李依馨
导演：张多福
简介：《我叫王土地》以河套的近代开发史为主线，反映了清末民初至抗战期间，河套地区最有影响力的地商兼水利专家王土地的传奇人生，他历尽艰辛用最原始的开渠方式引黄灌溉开垦河套土地，创造了“塞外江南”的富庶河套胜景，被誉为“河神”。白手起家的王土地成为富甲河套的大地商后不忘广赈天下，并拒绝外国敌对势力的诱惑拉拢，在日寇侵略河套的危难之际，不惜断渠毁田，成就了民族高风亮节。 《我叫王土地》反映的是近代塞外河套地区最有影响力的地商兼水利专家王土地传奇一生的故事。该剧主人公王土地用最古老的开渠方法创造了大气磅礴的河套胜景，成为当之无愧的“河神”。他在成功后不忘广赈天下，并拒绝外国敌对势力诱惑拉拢，在日军侵略中国民族危亡之际，不惜断渠毁田，展现了崇高的个人品格和民族气节，奠定了他在中国近现代史上的影响力。